Release Date: April 6th 2018
Director: John Krasinski
Country of Origin: United States
Language: English and American Sign Language
Runtime: 1 hour 30 minutes
The main reason why I’m often sceptical of new creature feature films is because, in spite of their attempts to be original, there’s not much room for creativity when it comes to the genre. It feels as though every film is doomed to follow a pre-destined path: the threat of a creature is introduced, typically when it kills off an expendable character; a group of people are charged with the task of killing the creature or risk being devoured by it; the creature picks off characters one-by-one while offering the audience tantalising glimpses of what it might look like; and the film ends with a final confrontation where the audience gets the coveted “full look” at the creature in all of its glory before the main characters find its “weakness” and promptly dispatch it.
That being said, not all creature feature films are this formulaic. Masterpieces of the genre, such as The Thing, It Follows, or The Babadook, subvert these tropes by refusing to placate the audience with a cathartic element. There is no “full look” at the monster, because the monster is not what terrifies us. Instead these films focus on the psychological impact that the creature’s presence has on the main characters in order to generate tension. The creature is largely irrelevant as a physical entity, and serves more as a conduit through which the audience gets to explore the psyche of the characters. The terror we feel when watching these types of films is not created by fear of the beast itself, but by the gut-wrenching realisation that we as a race are completely ill-equipped to deal with anything outside of the realms of our understanding. What scares us more than anything else is that which is unknown and that which cannot, in spite of our efforts, be understood.
In many ways, A Quiet Place straddles this line between formulaic and ingenious.
Please Note: This review will contain some mild spoilers, but no major plot points will be revealed.
The creatures are certainly physical and visible, but the emphasis of the film is squarely placed on the interactions between the main characters and how they’ve adapted their lifestyle to the presence of these strange beasts. Without giving too much of the plot away, the story follows the Abbott family, who the audience are introduced to as they scavenge through an abandoned town for supplies. The family communicate solely in American Sign Language, take special care with their movements, and use sand to mask the sound of their footsteps when walking outside. We swiftly find out, in a scene that I won’t spoil but which is masterfully done, that this is because the world is now overrun with horrifying creatures, which are completely blind but hunt based on their hypersensitive sense of hearing.
There are a few moments of somewhat clunky exposition, such as a scene in the basement where the camera pans in on a whiteboard containing words like “Confirmed: Blind” and “What is the weakness?”, but overall the storytelling in the film is exceptionally well done. We discover the family are fluent in American Sign Language because their daughter, Reagan (Millicent Simmonds), is congenitally deaf; we learn that the creatures can’t hear quieter sounds if there are louder sounds to mask them when the father, Lee (John Krasinski), takes his son Marcus (Noah Jupe) to a waterfall; we know that a climax is imminent because the mother, Evelyn (Emily Blunt), is pregnant and births are, generally speaking, not silent affairs. It is obvious that a great deal of care was taken when it came to making the film’s core elements believable and ensuring that the audience didn’t feel as though they were being spoon-fed the plot. The film’s storyline has a natural progression that flows rather seamlessly and allows you to fully immerse yourself in the world of the characters.
John Krasinski, popularly known as fan favourite Jim Halpert from the US version of The Office, shirks his comedic tendencies and embraces a far more serious role as the father, Lee Abbott. Alongside his real-life wife Emily Blunt, the two offer up a realistic portrayal of a father and mother struggling to keep their family alive in their darkest hour. Millicent Simmonds was a perfect casting choice for the character of Reagan, as she is actually deaf and therefore was capable of lending a far more honest dimension to the portrayal of her character, rather than simply succumbing to stereotypes of how we expect deaf people to behave. She is strong, she is capable, and she does not let her disability hold her back. By the end of the film, she emerges as arguably the main hero of the piece.
The only actor whose performance falls a little flat is Noah Jupe, who was perhaps given the least to work with when it came to character development. After all, while the rest of the family appear to have obvious roles and are each tackling individual demons, the character of Marcus Abbott seems almost solely relegated to that of “the other child” and doesn’t go far beyond that. It’s hard to make your character feel three-dimensional when your stand-out moments largely consist of being sick, crying, and running away. His relationship with his sister Reagan, however, feels genuine and there are some truly tender moments when both the characters interact.
While the storyline is certainly inventive and the standard of acting is praiseworthy, the all-important question remains: Is it scary? As I was watching the film, I became consciously aware of the fact that, during particularly tense moments, I had started to cover my mouth. Some of you may think this was out of consideration for my fellow cinema-goers, since the film is very quiet, but the fact that I spend most of my life watching horror films should give you an idea as to my general disregard for the feelings and needs of others. In those moments of heightened tension, A Quiet Place had engrossed me so fully that I had completely forgotten that none of it was real. I was purposefully silencing myself, as if I really believed that I might be at risk of attack if I made a sound. In my opinion, if a film can get under your skin like that, it is truly a fright fest worthy of watching.
Acting: 7/10, outstanding performances by John Krasinski, Emily Blunt, and Millicent Simmonds help garner the audience’s sympathy for the family and immediately engage you in their struggle.
Storyline: 8/10, considering how tired the creature feature sub-genre has become, the plot is fresh, innovative, and beautifully executed.
Fear Factor: 7/10, the atmosphere of the entire piece is suitably oppressive and it builds up tension gradually, leaving you on the edge of your seat.
Overall: 7/10, this film deserves to rank as an exemplary work of its sub-genre and is a must-watch for all lovers of horror.