Even without the stellar horror releases that littered the media landscape, 2015 was a pretty terrifying year in of itself. France suffered the Paris Attacks; the US was subject to nearly 300 mass shootings; and large parts of England appear to currently be underwater. The outlook for the planet isn’t great and, since North Korea apparently decided to ring in the New Year by setting off a nuclear bomb, the fate of the world is hanging by an ever thinner thread. So why, in light of all these real dangers, should you be excited about media that was designed to scare us? Because it gives us an outlet, a way to release all of that pent up fear in one hour-long frenzy of pillow-hugging, squealing, and violent popcorn throwing. So, as 2016 gets underway, take the time to indulge in a few of last year’s horror titles and feel the terror slip away. Let’s just call it Shock Therapy.
Although a lot of critics would disagree with me, I personally thought that 2015 was a strong year for horror in film. On the one hand, you had the numerous tacky sequels, reboots, and remakes like Paranormal Activity: The Ghost Dimension (yes, I really hate Paranormal Activity, thanks for noticing), Poltergeist, and Sinister 2. But, on the other hand, we were treated to some top quality horror titles reminiscent of 2014’s The Babadook and Oculus. Without further ado, here are my top film picks for 2015:
- It’s Behind You – It Follows
It Follows was one of the most intelligent and impressive horror films that I’ve seen in decades. It combined an original story-line with a winning cast, stunning cinematography, and a soundtrack so provocative that I still get shivers down my spine when I listen to it. That being said, it tends to be one of those films that divides opinion. Some people, myself included, were willing to accept the film’s slow-pace and ambiguous ending because the journey was ultimately more important than the destination, while others were disappointed at the lack of closure and what they perceived as lazy “filler” scenes. For that reason alone, it’s definitely worth watching since, whether you like it or not, it’s sure to create a debate. For a broad perspective (and some spoilers!), we recommend reading Slash Film’s review, which you can find here, and Variety’s review, which you can find here. Alternatively you can read our review (with no spoilers) here.
- Who Needs the Summer of Love – Spring
Spring is a romantic sci-fi horror which, if anything, makes it reasonably unique in the horror community. Like It Follows, Spring tackles an unusual story-line and its success in doing so, or lack thereof, has similarly divided public opinion. The score is beautifully simplistic, the cinematography is undeniably opulent and visually nourishing, the acting is superb, but the strangeness of the story and the use of that age-old, hackneyed “scientific” explanation has disappointed many viewers. As such, it makes for another fantastic watch since it’s sure to stimulate your brain cells and leave you wanting more. We recommend reading The Missing Reel’s review here, or alternatively check out our review here.
- You Better Watch Out, You Better Not Cry – Krampus
Krampus is one of those films that puts a smile on my face every time I think of it. And that’s a relative miracle, considering I despise comedy horrors. My major bone of contention with this subgenre is that they’re often just comedies. If you can just bung a few scary moments or horror tropes into an otherwise non-scary film and call it a “comedy horror” or a “fantasy horror” or (dare I say it) a “Disney horror”, then Scary Movie, A Nightmare Before Christmas, and Pan’s Labyrinth would all be considered horror movies. Where Krampus ultimately succeeds as an actual comedy horror is that the horror and comedy elements are perfectly balanced. The film is funny and scary in equal measure, leading to several moments where my brain became desperately confused as to whether I should laugh or cry (or wet my pants). Like Gremlins and Poltergeist, it’s the perfect gateway horror film for the younger generation and one that people of all ages are sure to enjoy. We recommend watching Red Letter Media’s video review here, or you can check out our written review here.
Honourable Mentions – Goodnight Mommy and Bone Tomahawk, both of which I have yet to watch but have been phenomenally well-reviewed.
Unlike the horror film scene, which has gone from strength to strength, it seems that horror television has really let the side down. There were very few fresh or new series’, leaving us only with stale continuations of franchises that are doomed to (hopefully) burn out in the near future. Don’t get me wrong, I love American Horror Story and The Walking Dead as much as the next person, but sometimes it really does feel like they’re flogging an undead horse. I’ve caught myself yawning my way through whole episodes or, in one instance, falling asleep in an almost upright position. At this stage, if I fall and crack my head open while watching, I’m going to consider suing these guys for “risk of criminal boredom”.
- Let’s Get Groovy – Ash vs Evil Dead: Season 1
In amongst horror television behemoths like TWD and AHS, Ash vs Evil Dead stood its ground as one of the most anticipated horror series to grace our television screens. The show sees the return of notorious horror hero Ash, played by the ever enigmatic Bruce Campbell, as he forgoes a much deserved retirement and returns to his one true passion: fighting off evil Deadites. As a comedy horror, the show mixes fun and fear in equal measure, with enough hilariously over-the-top gore to give any of the Evil Dead films a run for their money. What started off as an unexpectedly popular and incredibly low budget festival film has spawned into one of horror’s greatest legacies; and this latest edition proves to be one of the best yet. We strongly recommend you read The Missing Reel’s reviews, as they’ve been following the series episode by episode. You can find their summary review here.
- You Can Count on the Countess – American Horror Story: Hotel
After the crushing disappointment of Freak Show and the looming threat of Wes Bentley’s soul-suckingly dull return, my hopes for Hotel and for American Horror Story in general were all but dashed. In many ways, my misgivings were well-founded. Wes Bentley did in fact prove to be one of the worst leading men that the series has ever championed and, like Freak Show, it seemed that the season would largely depend on a sequence of unconnected, exploitative scenes that were designed to shock rather than create a coherent and interesting story-line. That being said, thanks to the superlative acting of Denis O’Hare, Evan Peters, and Kathy Bates, coupled with the intriguing character of the Countess (Lady Gaga) and the eventual development of a solid and stimulating storyline, the season seems to have turned its luck around. It’s certainly not one of their best, but it’s probably not their worst. Probably. We recommend you read Nouse’s episode by episode reviews here, but be forewarned that they are full of spoilers.
- A Netflix Unoriginal – Scream: Season 1
Let me be candid here, just because Scream has made it onto my top 3 list does by no means indicate that the series is good or that I liked it. It was simply the lesser of several evils. Scream is one of my all-time favourite movie franchises, and the thought of watching an abortive televised attempt to bleed it dry troubled me deeply. Particularly since beloved horror director Wes Craven tragically died last year, leaving behind an illustrious legacy that could be deeply marred by such an unnecessary reboot. Yet marred it was not. To me, this Netflix original series (which was actually and unsurprisingly produced by MTV) was kind of like a well-choreographed train wreck; it was awful, but I somehow felt compelled to keep watching. In fact, I watched the entire first season in less than two days. It essentially copies several major story elements from the original films, but the key to its success is that it never takes itself too seriously. It makes no claim to be as good as its predecessors; it’s just grade-A TV schlock for teenagers. And, as such, it’s ultimately entertaining, so long as you take it with a pinch of salt. We recommend you read Bloody Disgusting’s incredibly well-balanced episode reviews here, which are chock full of delicious spoilers.
Honourable Mentions – The Walking Dead: Season 6 and Penny Dreadful: Season 2
2015 may not have been the most prolific year for horror gaming, but lack of quantity was definitely made up for by superb quality. Although the Top 3 games I’ve chosen for 2015 may have been some of the only ones to come out, they certainly made an impression on me and are worthy of any top list, regardless of their release dates.
- The Butterfly Effect – Until Dawn
Although it only represented about 8 hours of solid gameplay, Until Dawn was one of the best horror games I’ve ever played. Within the first few weeks of owning it, I had already played it through three times, which goes to show just how little I value my free time. The key to the game’s brilliance is in its Butterfly Effect dynamic. The choices you make in-game will drastically affect the outcome of the story, so much so that certain characters will either live or die. What I loved about Until Dawn was that it inverts your expectations, toying with the behaviours that you will have learnt from other games. When a character dies, it doesn’t necessarily mean that you’ve “failed”; just because the game is telling you to do something, doesn’t mean you should automatically do it; and sometimes exploring the whole area for clues and opening that cellar door simply because “it’s there” isn’t always a good idea. For an ultimately negative but still well-rounded view, we recommend reading Polygon’s review here. If you want something a little more positive, check out our review here.
- Let’s Get Digital – Soma
From the makers of the outstanding horror titles Penumbra and Amnesia comes Soma, a sci-fi survival horror about the ramifications of developing AI (Artificial Intelligence). It’s been far too long since we’ve seen a good sci-fi horror game and, in 2015, it seems horror fans were in for a real treat. And what a treat Soma was. As character Stephen Garrett, you find yourself trapped in a submerged research station known as PATHOS-II. The game’s underwater vibe is reminiscent of Bioshock, a game that didn’t exploit its horrific elements nearly as much as it could have done, and its futuristic facility setting evokes scenes from Dead Space. However, like the Amnesia series, the point of Soma is not to fight, but to hide. What follows is a subtle yet disturbing exploration into humanity, providing deep and probing layers of fear that go far beyond what you experience at face-value. We recommend you read Game Rant’s review here.
- It’s Like I Have ESPN or Something – The Vanishing of Ethan Carter
For all of you citizens of the PC master race, I realise that The Vanishing of Ethan Carter technically came out in 2014, but for console plebs like myself it wasn’t playable until 2015. The game follows paranormal investigator Paul Prospero, who receives a worrisome fan-letter from 12-year-old Ethan Carter and is prompted to visit Ethan’s home in Red Creek Valley. The game’s graphics are stunning and the world that surrounds you evokes imagery of the New England countryside, making you feel as though you’ve just been dropped into a Stephen King novel. And the similarities to King’s work don’t end there. Like the fictional town of Derry, Red Creek Valley is a beautiful place with a dark secret. The Vanishing of Ethan Carter might not be the scariest horror game in the canon, but the intrigue it produces in the player is undeniable. As you become more wrapped up in the fate of Ethan, you feel yourself slowly disappearing down a rabbit-hole that may have no end. Playstation Lifestyle’s review, which you can find here, describes these elements in far more detail.